Mar 20, 2010

4 notes
jillsies:

GARY HUME (B. 1962) Magnolia Door Eleven  household gloss on canvas  Painted in 1989

jillsies:

GARY HUME (B. 1962)
Magnolia Door Eleven
household gloss on canvas
Painted in 1989

Mar 20, 2010

5 notes
jillsies:

CARL ANDRE (B. 1935) Stillnovel  signed and dated ‘carlandre1972’ (on the reverse)  ink on paper  Executed in 1972

jillsies:

CARL ANDRE (B. 1935)
Stillnovel
signed and dated ‘carlandre1972’ (on the reverse)
ink on paper
Executed in 1972

Mar 19, 2010

41 notes
pjmix:

Ultra Violet (via Andy Warhol & The Factory)

pjmix:

Ultra Violet (via Andy Warhol & The Factory)

Mar 18, 2010

39 notes
Mar 18, 2010

8 notes
Mar 16, 2010

51 notes
iheartmyart:


bethfrey:
Kiki Smith (American, born Germany 1954), Born, 2002, Bronze 


That’s poetic.

iheartmyart:

bethfrey:

Kiki Smith (American, born Germany 1954), Born, 2002, Bronze 

That’s poetic.

Mar 15, 2010

32 notes
hydeordie:


David Hockney Six Fairy Tales from the Brothers Grimm
I present to you  the ultimate “Book I Want, Do Not Have, Cannot Afford”.
David Hockney’s Six Fairy Tales from the Brothers Grimm is a combination of modern illustrations alongside an English translation of the Grimms’ German text. This modern vision of the Grimms’ fairy tales was handset and bound in a miniature edition with a keen eye toward recreating bibliographic and physical elements—letterpress printing, high-quality rag paper, colophon—in a traditional fashion.
The printed fairy tale in all of these forms is an artifact that represents more than “Red Riding Hood” or “The Little Mermaid”; these examples represent the significance of the book form in cultural phenomena like storytelling. Although oral tales retain properties of fluidity, these printed tales are moments of fixity—unique artistic visions that encapsulate specific cultural movements and sensibilities. It’s worth visiting the library to see them; I’d love to share them with you!
via…
Damn you LACMA for bringing this to my attention. DAMN YOU!!!!!!!!
(Yes, I may have fallen to the floor and shook my fists in the air. No, you may not judge me for that.)


I like how it looks like an ancient book, a truly magical book. Damn, I want to see that.

hydeordie:

David Hockney Six Fairy Tales from the Brothers Grimm

I present to you  the ultimate “Book I Want, Do Not Have, Cannot Afford”.

David Hockney’s Six Fairy Tales from the Brothers Grimm is a combination of modern illustrations alongside an English translation of the Grimms’ German text. This modern vision of the Grimms’ fairy tales was handset and bound in a miniature edition with a keen eye toward recreating bibliographic and physical elements—letterpress printing, high-quality rag paper, colophon—in a traditional fashion.
The printed fairy tale in all of these forms is an artifact that represents more than “Red Riding Hood” or “The Little Mermaid”; these examples represent the significance of the book form in cultural phenomena like storytelling. Although oral tales retain properties of fluidity, these printed tales are moments of fixity—unique artistic visions that encapsulate specific cultural movements and sensibilities. It’s worth visiting the library to see them; I’d love to share them with you!
via…

Damn you LACMA for bringing this to my attention. DAMN YOU!!!!!!!!

(Yes, I may have fallen to the floor and shook my fists in the air. No, you may not judge me for that.)

I like how it looks like an ancient book, a truly magical book. Damn, I want to see that.

Mar 15, 2010

20 notes

Watch Marina Abramovic's performance at MoMA live

hydeordie:

I love that they are streaming this.  Next best thing to being there right? Right?!

Sometimes denial is my best friend.

Mar 15, 2010

6 notes
i-peach-feng-shui:


“My way is to establish Walt Disney style. I believe Walt Disney is a super artist…. Some people say he is artist or not. I think much more than Marcel Duchamp is Walt Disney concept piece, really hardcore. Because he can get what people desire. And then I read he was alcoholic, and he got his ideas when he drank. It is really artist style!”
~ Takashi Murakami 

i-peach-feng-shui:

“My way is to establish Walt Disney style. I believe Walt Disney is a super artist…. Some people say he is artist or not. I think much more than Marcel Duchamp is Walt Disney concept piece, really hardcore. Because he can get what people desire. And then I read he was alcoholic, and he got his ideas when he drank. It is really artist style!”

~ Takashi Murakami 

Mar 14, 2010

30 notes
»Just what is it that makes today’s homes so different, so appealing?«, 1956 by Richard Hamilton. via VVORK

»Just what is it that makes today’s homes so different, so appealing?«, 1956 by Richard Hamilton. via VVORK

Mar 14, 2010

9 notes
»Cool Mint«, 2010 (mouthwash, stainless steel) by Steve Bishop. Via VVORK

»Cool Mint«, 2010 (mouthwash, stainless steel) by Steve Bishop. Via VVORK

Mar 13, 2010

28 notes

PERFORMANCE ARTGASM

sexartandpolitics:

So after I discovered video of Ant Farm’s fantastic 1975 piece Media Burn I jokingly said to hyde that next thing I’ll find out that there’s video of Yoko Ono’s Cut Piece.

IT TURNS OUT THERE IS VIDEO OF YOKO ONO’S 1965 PERFORMANCE.

I AM FREAKING THE FUCK OUT OVER HERE.

CUT PIECE CHANGED MY LIFE EVERYBODY

Love this. I love you guys. To find this. Also; will this ever be the same again? Will artists ever not record their performance / suppose it recorded to youtube in real time? That makes these older recordings SO remarkable; I remember sitting down in the Stedelijk in Amsterdam with 10 betamax tapes and a recorder to watch Bruce Nauman’s performances in their collection for a thesis for art school. Great times. Felt really imtimate. Man, I’m getting old. Love the internet. (Is it friday night here and did I drink some glasses of wine? Why, yes, I did. Awesome.)

Mar 12, 2010

1 note
But it’s not only the passive-agressive dismissal of Mattise’s “so-called art” that I find most interesting in that passage, but rather the resentment against his “band of followers” and their devotion. What’s at stake in the mini-drama this statement describes is controlling the master narrative. This writer knows it, and he/she sees that his/her side is losing the upper hand in it. It’s not just that the writer doesn’t like Matisse’s work. It’s that he/she doesn’t like that other people like Matisse’s work.
The blog of Edward_ Winkleman is extremely interesting as of late; a very insightful peek into the (gallery) art world and thoughts about its mechanisms and workings. Highly recommended. For example: Dumber Than Jesus (or Losing Control of the Master Narrative)
Mar 12, 2010

63 notes
artlistpro:


frenchtwist:


Body Sculpture by Hans Breder, 1972

artlistpro:

frenchtwist:

Body Sculpture by Hans Breder, 1972
Mar 12, 2010

358 notes
iheartmyart:

Jiri Geller, Don’t Touch the Artwork, painted resin, mixed media, 30 x 110 x 70 cm, 2009

LOL

iheartmyart:

Jiri Geller, Don’t Touch the Artwork, painted resin, mixed media, 30 x 110 x 70 cm, 2009

LOL

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