Rest In Peace, Mike Kelly.
Mike Kelley: Bad Boy | Art21 “Exclusive” (by art21org)
Episode #117: Mike Kelley sets the record straight about being called a “bad boy” throughout his career, describing the shifting tastes of critics and artists towards abject art in recent years.
Mike Kelley’s work ranges from highly symbolic and ritualistic performance pieces, to arrangements of stuffed-animal sculptures, to wall-sized drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations with artists such as Paul McCarthy, Tony Oursler, and the band Sonic Youth. His work questions the legitimacy of ‘normative’ values and systems of authority, and attacks the sanctity of cultural attitudes toward family, religion, sexuality, art history, and education. He also comments on and undermines the legitimacy of the concept of victim or trauma culture, which posits that almost all behavior results from some form of repressed abuse. Kelley’s aesthetic mines the rich and often overlooked history of vernacular art in America, and his practice borrows heavily from the confrontational, politically conscious “by all means necessary” attitude of punk music.
Learn more about Mike Kelley: http://www.art21.org/artists/mike-kelley
VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Norbert Arnsteiner & Nancy Schreiber. Sound: Stacy Hruby & Ullrich Vlasak. Editor: Paulo Padilha. Artwork Courtesy: Mike Kelley. Special Thanks: MUMOK, Vienna.
good art is never an attack on what it might condescendingly call middle class sensibilities
it is empathetic towards them and then it goes for the jugular in a way that can’t be mistaken for anything other than loving
Bas Jan Ader, I’m too sad to tell you, 1971, one-channel video.
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If I have been able, without scandalizing anybody, to enter cesspools, to handle putrid substances, to spend part of my time in refuse dumps, and to live, as it were, in places that the majority of men would close off as degraded and disgusting, why should I blush to open a cesspool of another kind (a cesspool filthier, I assure you, than all the rest), in the reasonable hope of doing some good by examining it in all its aspects?
Mike Kelley. 1954-2012.
Absolutely devastated, and selfishly mourning years of art unmade.
Legendary Artist Mike Kelley Dead at 58, an Apparent Suicide
for real I think.
Yves Klein, Horse, c. 1949
Francesca Woodman, On Being An Angel #1, 1975-78
(Source: anormaux)
I met my friend stuart and karl and dino for some damn good korean food (hard to find in this part of the world!) while eating dino turns to me and says he saw my tumblr and remembered Ryder’s post and wanted to show me something…his felix gonzalez-torres Lover’s, 1988 tattoo!
Dan Fischer
Felix Gonzalez-Torres, Untitled (Perfect Lovers), 2001
Graphite on paperImage: 3 1/4 x 5 3/4 in. (8.3 x 14.6 cm)sheet: 11 1/4 x 15 in. (28.6 x 38.1 cm)
Chuck Close’s Advice to Young Artists
Cy Twombly in the ’50s, photographed by Robert Rauschenberg.
Cy Twombly’s workspace photographed by David Seidner
Jessie Thatcher
30 sec. sketch of Aluminum Foil.
Drawings for paintings
(Source: jessiethatcher)
Alfred Stieglitz, Georgia O’Keeffe, 1919